Research-based Analysis Essay Example | Topics and Well Written Essays - 1500 words

Research-based Analysis - Essay Example As viewers strive to be recognized alongside film characters considered as heroes, so do violence and aggression creep in from the psychological influence caused by such scenes. Consequently, the photo about Kony Make Him Famous 2012 elicits both violent and affectionate feelings from viewers of such photo or the real; film represented by the photo. Elicited feelings are much deeper in those who understand the main character, Kony. The photo conveys strong messages visually; this is further enhanced by the actual meaning of used words, the perceived meaning, the color and shadows, and the entire idea behind the photo. Bower (1-3) explains the use of symbolism in films, and the effects that such symbolism has to the viewer. For example, Bower (2) narrates the scenes in the movie, The Hours, where Woolf has some servants preparing food for her, and after doing all the cooking, she rejects the food to continue with her writing. In this case, Bower argues regarding the powerful messages passed to the viewer in such a case. One of the messages maybe that Woolf was too dedicated in her work and could not sacrifice the slightest moment to eat, or she was indeed detached from her workers that their food evoked no appetite in her. Similarly, in the photo regarding Kony, the same symbolic sentiments may be construed. For example, the photo portrays a dark, red background, and a feature that looks like a cave is visible at the background. The combination of words and the background color evokes perception of blood in viewers; blood is dark red after pouring out of the body. Blood and Kony are suggestive of violence as the history of Kony is told of his fighting with the government in a guerrilla war. Cohen (4) defines the monster and explains the body of the monster incorporates fear, anxiety, and fantasy, all which offer the monster the life they require, and an uncanny independence. Moreover, the monster is not an obvious creature as it in most cases hides, but only to resurfaces to cause havoc among the people. People are intimidated and averse with great fear. The monster does not die immediately as it incorporates a corporal and incorporeal body. This signifies its threat just shifts, but the creature never dies; it will be back again to cause more terror (Cohen, 5).The same characters can be deduced from photo about Kony. First, a monster evokes fear just as the name Kony evokes sentiments of fear in his home country. AS the photo portrays, the dark red color is the blood that Kony signifies, meaning similar to vipers or monsters, he is dangerous, hiding, and will only resurface again to spread terror and then hide again. This may be construed from the cave like features at the background of the picture. Just as the name monster itself without seeing the actual creature evokes fear, terror, and beastly acts (Cohen x-xii), so does the name Kony alone without seeing his picture evoke fear to the people affected. Kony and the beast described by K ohen have similar meanings to the viewer of such photo; they both spread terror and cause much fear in their subjects. Harold in his book, A Moral Never-Never Land explains that violence in media can stimulate views through both sympathetic and repulsive elements contained in such films (243). Moreover, Sobchack explains that increasing violence